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Time or we sang Richard Powers
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I watched this adaptation last Saturday, and I was extremely fascinated by the work of Mira Nair on the novel by Thackeray. I think it is beautifully unraveled to adapt this novel more than a thousand pages, which was far from simple at first. Then of course there is a lot of shortcuts, but it was a bit inevitable; certain plot elements have been changed, and the characters are a little smoother and a little less outrageous than in the novel. But overall, it is "a nice infidel" that we are dealing here: Mira Nair has succeeded in making this adaptation something modern. Its bias is of course debatable, but they are all interesting. Thus, the opening credits depicts, among other things, a peacock, colorful animal that is well suited for vibrant colors of adaptation, bazaar fashion but also symbolizes the vanity, and whose eyes are on the feathers to prepare other scenes, where the eye, hidden by a mask, a veil or range, is important.
The first scene is itself quite unexpected: a man extremely well dressed down from his car to go walk the muddy shallows of London. This is Lord Steyne, which goes to the father of Becky Sharp, a painter of great talent. bazaar fashion It is in his workshop bazaar fashion we discover the film's heroine, Becky Sharp, then aged ten, who bargains with the noble aristocrat sale portrait of his mother. This stage allows to better understand the attitude that it will subsequently vis-à-vis the protector of his father, and it is extremely interesting to see the camera focus for several minutes on the feet and legs of Lord Steyne dressed in silk, which spans the destitute of this area of London children and whose cape behind in the mud. At the outset, it is understood that the'' adaptation is tempting, but not stupid: the focused on London from this period look is very lucid.
Reese Witherspoon, I see for the first time on the screen is amazing in this role of a young intelligent and manipulative extremely pretty girl. The character she plays well have unpleasant aspects, I find extremely friendly: it is a Lizzie Bennet would have had a different bazaar fashion parours during his childhood, which explains his thirst for revenge and his desire to climb social. Mira Nair puts it beautifully enhanced by his way of filming. The other players are not left out, and was pleased to find well-known faces: - James Purefoy, who portrayed Tom Bertram in Mansfield Park in 1999, and that the role of Captain Rawdon, with his good looks and his side rogue, be well enough;
- The friendly Garai in the role of Amelia insipid; - Rhys Ifan in the role of Captain Dobbin; - Jonathan Rhys Meyers in the role of George Osborne, who has all the cockerel, literally and figuratively; - A number of old ladies accustomed period dramas (thus finds Lady Catherine de Burgh Pride 's and Prejudice in 1995 in the role of a very snobbish aristocrat, but also an actress who played the role of a spinster in the adaptation of the novel by Elizabeth Gaskell, Women and Girls);
- The actor who plays the role of the teacher in the latest adaptation bazaar fashion of the Four Little Women, in the role - here abject - Lord Steyne; and many others. One has the impression bazaar fashion of being in familiar territory, and my faith is very nice! Otherwise, the adaptation bazaar fashion is very colorful without being ridiculous, bad taste or kitsch: it is an adaptation that caresses the eye without irritating. Costumes and