Room Kelly questions the choice or not

Blind by Maurice Maeterlinck, directed and designed by Daniel Jeanneteau Love and Money by Dennis Kelly, translation from English to Philippe Le Moine collaboration with Francis Aïqui (L'Arche Editor), directed by Blandine Cobbler
Writing British author, Dennis Kelly, falls within the "no politically correct" true political and aesthetic "in-yer-face" movement or "full face" of the 1990s, with muse extremism Sarah Kane.
The creation in 2006 of Love and Money evokes strangely, presciently, the race for money which burns and consumes men by making them mad. At halftime of the representation, the piece offers an illustration of this socio-economic reality through precise virtual characters - jacket, tie and white shirt, glamor traders, today our demi-gods. These anonymous beings inform a world stage "terminal cynicism." Prophecy or anticipation, dehumanized these puppets describe the mechanism leading to the crisis version feminin "subprime", affecting the mortgage industry version feminin at risk in the United States in 2007 and triggered the financial crisis until 2011.
Thus, Love and Money denounces brutal social reality of our West that, contrary to ethics, feelings and law, manifest unscrupulously love and not money, but the love of money, love of money, the reversible side of the love of power. Revolt, disgust, each whisper: "I'm afraid of being poor - and I love money ... it's only money ... I've heard enough to say ... that opens the doors of life ... threshold at which the poor languish version feminin and it is money alone that gives freedom version feminin "as an admission Rogue anarchist Georges Darien.
Room Kelly questions the choice or not "sit on the sidelines." If action is to fight for life, acquire money involves a confrontational activity, win, lose, buy, sell, lend, flying, manage, spend, version feminin squander. We must succeed as competitive competition laws and performance, be self only company that always generates desire - Sexually certainly, but even more generally - more enjoyment. The simple pleasure of living is not enough.
Love and Money is history, and down into seven scenes, the defeat version feminin of a young couple, Jess and David, torn amidst the contradictions of a fatal time. The man is a teacher looking for gains wipe the slate clean of debts of his wife, herself shared quest for meaning, compulsive consumption.
"You will suffer for making money," said Val, a former girlfriend of the young man who replaced his faith in God by faith "in the money" in managing a telecom company. version feminin In a lower register, the unsavory version feminin Duncan moved to a girl, derby, easy to earn money through prostitution on the Internet.
The staging of Blandine Cobbler wife aptly hit rate, dry and uncompromising a mindset from the raw violence of the times. In the style of writing Kelly, the scene that never experience the healing or the voltage drop is confronted with jolts of a sound urban universe with human blows softly, bloody hands in a setting glacial open space with computers, fiber optic and relay communications mails. Mobile exhibition showcases obey a scene to another, the urgency of a speech denouncing physical liveliness and choreographed actors, version feminin prominent truth of their emotions to indifference and absurd reflex nationalist reaction and xenophobia. Against vanity minds enslaved to money, the actors are fully engaged on the shelf, they lend a raging brush easy to procrastination. Finally they play brilliantly false glory and taste so business leaders, false modern hero, to neutralize them better.
CDN Besançon Franche-Comté, from February 4 to 7. Theatre of Arras, on 11 and 12 February. Auchel, in collaboration with the Comédie de Bethune, February version feminin 14. Tours, CDR, from 18 to 20 February. version feminin Maison de la Culture de Bourges, from April 14 to 17.
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