My referrals are primarily cosmopolitain magazine visual arts and cinema. I have as a base until th

A photographer, a machine and the world. Yanic brasiliense is an artist who grew up in the city. Living, practicing some hobbies, dedicated to fitness (arts and media), and suddenly, there she was, with a large and diverse themes in artistic production. Today, in an interview with Mondo Teeno, she will talk a bit about photography, culture and society.
1 1) We believe that your photos represent well the cities, in an intimate and personalistic aspect, they m ostram scenes, people, places, always have something human, if only a minimal trace. How do you choose the photos you will take? That tries to fetch images?
When I started shooting was in the mood to take the camera anywhere and shoot what I thought it was worth. This created a set of images and family, friends, everyday places. Nowadays not do that anymore, I usually go out with my camera, or an idea of what to do, or the idea of doing something. Of course I do everyday photo, but the relationship has changed with the camera, I use the phone for daily records and the camera to try to create something or record a cool event. cosmopolitain magazine
2) We would like to tell us a bit about your artistic influences. We know you like the work of Mapplethorpe portrait of youth, seems to have influences of pop art, work hard search light and feeling in photographs. Who are your references?
My referrals are primarily cosmopolitain magazine visual arts and cinema. I have as a base until the time I was born, the whole vibe of dark gothic 1980s and fantastic aesthetics of Tim Burton. This is my basic imagery, which does not usually appear in the photos but it is what attracts me the artists in general. Within the arts, I love the surrealist movement that includes artists such as Man Ray (who was also a photographer) and increasingly incorporate the Pop Art Photographers who inspire me most certainly are Diane Arbus, Richard Avedon, cosmopolitain magazine Robert Mapplethorpe and Cindy Sherman. All these artists, with the exception of Richard Avedon worked with the strange, unusual, the unseen. cosmopolitain magazine That's what attracts me and drives me. Besides these, I also love the Brazilian tropicalism and your entire music and fashion aesthetics. Impossible not to think of Hélio Oiticica and also in Brasília modernism, in my training, in addition to its own products of mass culture like TV shows, novels, films canned ... Truth be told, I'm a great cultural sponge.
3) There are many references to music production, sound aspect as this would influence the production cosmopolitain magazine of your images? Which musicians and bands considered capable of guiding a good photo? How to mix images and sound without falling into the film option?
I think music is what has to accompany you at all times. The fact is that in every photo I choose to show there is the possibility to fit a song lyric for that song says a lot about our own lives, as well as photos. I have several favorite bands, had periods where bands like Placebo helped cosmopolitain magazine translate well my photos today I would say I'm a wave more French nouvelle vague, between Air and Serge Gainsbourg (whatever that means). cosmopolitain magazine
4) The work of the year 2013 'Beyond Beauty' cosmopolitain magazine play in the shade, to be beautiful and at the same time, 'creepy'. We realize that the aesthetics of terror permeates some photos of her. How do you understand the importance of this aspect in your photography? There is a message passing?
Check 'Beyond Beauty' Here! I have one of the recurring themes the relationship between the woman and the beauty from a more aesthetic approach to politics (feminist). This work was done with the idea of recreating poses Muses American movie but using as opposed to the smoothness of the shock pose image of skull. The idea is to cause discomfort, but at the same time bring the feeling of the beautiful. The skull is used to evoke the continuity of beauty, after all, we are all mortal and beauty is fleeting.
I think this is done unconsciously. I'm a lazy photographer, topics not usually look (I'm getting used to do testing), so I take what is in my power. In the background, as well as Diane Arbus, I seek beauty in contrasts and strangeness.
6) Tell us a little about your project, 2009, "Being Tattooed." We can see a very different there brasiliense caught the youth. Despite all tattooed, saw people very different both in terms of sub-cultural niches as the socio-economic level, we know it was a job with an academic bias, but would like to understand in what other ways this work is the production.
Check 'Being tattooed' Here! This work was very experimental and maybe I will someday resume. cosmopolitain magazine I like him very much for that